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The end of a path

by Henk ter Heide on Sunday January 3, 2010

It’s a good thing that keeping a new years resolution is a process and not an act. Otherwise I would have failed it already. Yesterday I did draw for more then an hour but I didn’t come around to writing this article :(
Ah well. Here it goes.

As my regular readers will have noticed, I haven’t done anything for some three months.
I had found that I couldn’t make the pictures I wanted with color pencil and had decided that I would start painting.
I had bought oil paints, an easel, a pallet and the lights I needed to photograph my paintings. I had even painted a few test panels.
And then everything halted.
It just stop.
I didn’t feel like painting any more.

I assumed that I would start painting again at some point. So I just waited.

The thing is that I have had this happening before. Often even.
I have had a lot of times that I am in the middle of some activity and for some reason just don’t feel like finishing it.
It used to annoy the hell out of my mother. She thought it meant that I was too lazy to finish my chores. (Although I never quite understood why she thought that joining a tennis club would be considered a chore.)

Over the years I learned that halting some activity for no apparent reason and then picking it up again a few weeks or months later, or figuring out what is wrong with it, is just part of being me.
So I waited.

The only thing that had me slightly worried was this blog.
This blog is linked to drawing and I felt that couldn’t keep all of you just hanging there. Not knowing what had happened.
I hate it when I’ve followed a blog for a few months or even years and it just stops. And I never find out what happened to the author.
Did he move on to other activities? Did he die?

A few weeks ago I started thinking that I should write some kind of brief explanation about why I wasn’t writing anymore. But a funny thing happened.
While I was thinking about how I should explain that this happens to me some times. That I didn’t know why I had stopped and didn’t know whether I would ever continue. I figured out why I had stopped.

Even better.
After I had realized why I had stopped, new ideas started flowing. And before I knew it I was drawing again.

I thought it would be best to first do a few drawing, to see if it would stick, and then tell you about my developments. But the drawing I’m doing right now is taking far too much time to do it that way. Although I drawn for more then an hour a day for the last week. I’m still only at about two thirds.

But still I feel curtain that this direction is so rewarding that I won’t stop after just a few drawings. I don’t feel that I have to test myself by finishing yet an other drawing before talking about it.

Why did I stop painting in September?
When I started thinking about it, it turned out to be fairly obvious.
I had lost my direction. I had lost my purpose.

When I started drawing early 2007 and started with this blog I had a very clear purpose.
I wasn’t trying to produce beautiful drawings. I was trying to find a way to express myself via drawings.

Being autistic and having a visual thinking process I find that I have to work very hard at expressing myself.
Before I can tell anybody anything about the people I meet and the places I go. I have to translate from the pictures and movies in my mind to words I can speak.
Although I’ve become quite good at it over the years, it’s still a lot of work.
Which means that I can write an article like this one, which is perfectly understandable.

But sitting on a stool in a bar I can either relax or talk with people. And since I go there to relax I never talk very much.
Lately a few of the costumers of my favorite bar have figured out that I’m quite knowledgeable on some subjects and they question me about them. And when they do, I answer them.
But it always feels like an interview. Never like a conversation.
To me conversation are just to much like work.

Three years ago I thought that since I have this visual thinking process and a photographic memory, it should be very easy to find a way to draw those people and places that I wanted to show the world.

But it wasn’t.
Using color pencil I quickly found that the pictures I drew never looked like the pictures in my mind.
For two reasons.
One of which turned out to be very obvious, when I finally thought about it. The pictures in my mind are of a photographic quality. Pictures I draw never are. Which, I suppose, is the charm of drawings. But it wasn’t what I had in mind.
The other problem is that I have a field of vision of 180 degrees. Just by the size of the paper that I’m using, a drawing is only about 30 degrees. Which is probably why a guy like Stephen Wiltshire draws such detail on such big canvases. It’s the only way to get the world in your drawing.

When I moved to painting I just assumed that I would solve both problems.
Bigger canvas would mean drawing a bigger part of the world. And since you can layer with oil paint you can indeed get more photo realistic pictures.

The one thing I hadn’t counted on was drying time.
With oil paint you can layer different colors on top of each other. But after each layer you have to wait until it’s dry. Otherwise the different layers will mix and everything will turn a foul color of brown.
Drying time can be as much as two or three days.

So imagine what that means.
No doubt you have seen those beautiful portrait paintings where the artist has put a little dot of white paint in the pupil of the each eye to suggest life.
Those two tiny dots of white paint take three days to paint.
That is a few seconds for every dot. And then three days of drying time before varnish can be applied.
(And after that the painting has to dry out for several months before it can be used.)

There is no way that I can work that way.
Most painters work either from postcards or from sketches they have made.
I didn’t want to do that. I wanted to draw/paint the pictures and movies in my mind.
I started out with the pictures because it seemed easier to learn. But to really show the world what I’m all about I have to draw/paint the movies.
But of course they change over time.
There is no way for me to keep an image in my mind for the several months it would take to finish the painting.

The first painting I wanted to do was a simple one of an apple tree in bloom in an English landscape.
I’ve been wanting to do a picture like that for as long as I’ve been drawing. I could never find a way to do it with color pencils.
But even such a simple idea keeps changing:
Will I put the tree in the foreground or the background. On a hill? Against a blue sky or a stone wall?

And that are only the questions I ask myself.
The color arrangement also changes. But that isn’t something I consciously think about. It’s just the way the world around me changes.
When the sun shines the pictures in my mind have all kinds of bright colors. When it’s an dreary day the pictures in my mind change to low hanging fog. And then at night I “see” a lot of greys and blues.

There is no way I can show my world using paint.
But even if there was. It’s far the much work. I was looking for an easier way to show my world then by translating the pictures in my mind.
This is far to difficult.

So without realizing what was wrong, I had reached the end of this path.
 
 

This is turning into a very long article.
Tomorrow I will tell you about this new direction I have found

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Like water color paint

by Henk ter Heide on Friday December 28, 2007

Trying out a new approach to drawing with color pencil.

Ever since I started, I thought about drawing with color pencils as though it was a cross between Rembrandt and the way Bob Ross painted.
I thought that to get a nice picture I would have to cover the paper with a thick layer of pigment just like Rembrandt did. I puzzled with the problem that using color pencil you can’t start out with dark colors and put lighter color on top the way Bob Ross used to do.
Although I like most of my color drawings I always had the feeling that something was off.

A few days ago I came across a video tutorial about painting with water color. The main reason for watching it was to see whether it was suitable to link to from my StumbleUpon account. But as it turned out I did learn something from it.

The maker of the video advised people to always start out with the lightest color and then work there way to the darker colors. She also showed a little practice painting to show what she meant.
It suddenly dawned on me that drawing with color pencils is much more like painting with water colors then it is alike to painting with oil paint.

Here is my interpretation of the practice but then in color pencil.
Color practice
Color practice

I clearly used to many different colors. I must try a more minimalistic approach.

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How to draw abstract (Drawing: Shifted)

by Henk ter Heide on Friday August 17, 2007

Save drawings

Before I realized that photographs and drawings aren’t supposed to look alike I did like to draw. I just was afraid of the end result.
So to taste the joy of drawing without having to be afraid of the end result I drew a lot of Intersecting bottles. But there was only a limited amount of joy I could get out of drawing intersecting bottles. When it bored me I’d try my hand at some abstract art.

Shapes and feelings

I tried but never succeeded. I ran into a few problems.
I didn’t know what shapes I should draw. Is it abstract if you just draw a few colored rectangle? Apparently since Mondrian did it. But I didn’t know that as a child and thought that drawing rectangles would be boring.
Somewhere I read or heard that abstract drawings should be about feelings. But how do you draw anger or falling in love? I could draw two people fighting or kissing but that wouldn’t be abstract.

My abstract drawings

The last few weeks I’ve been doing some abstract drawings. The funny thing is that I never set out to draw abstract. I just drew a few pictures that came to mind.

  • Trying to perfect a technique I drew Mask.
  • Not ready to admit defeat, I tried what a spoiled drawing could have been and produced Patched.
  • While trying to draw a colored river I drew Tentacles.
  • Trying to fight my fear for drawing unstructured I made Who’s afraid of yellow, red (and blue).
  • A piece of carpet on the BBC show Click (of all places) remembered me of something that looked like Sideways.
  • While being bored to tears I close my eyes and saw “Shifted”.

Shifted
Shifted

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The rules

After doing a few abstract drawings I’ve found that there are a few rules that make it much easier to make abstract drawings.

  1. Drawing abstract isn’t a short cut. All of the above drawings took me several days to complete. Whether the portrait you draw is any good or not, it will only take an hour to complete.
  2. It’s very easy to find a shape to draw because anything will do. Use the shape of what ever is in front of you. If you don’t like that shape add a few line (like I did in Intersecting bottles).
    A technique I often use is just closing my eyes and using the shapes and colors I see at the inside of my eyelids. (It helps if you face a dim lamp while doing this).
  3. Drawing abstract has everything to do with feelings but that doesn’t mean you can chose to draw an emotion.
    Abstract is about the emotions you feel while your drawing. Your feelings will influence the colors you chose. If you’re feeling depressed you’ll chose darker colors then when you’re happy.
    When I was drawing Tentacles I had the eerie feeling I was putting an invisible message into my drawing.

Featured on See me draw

A fitting site for an article about abstract art. I don’t think I would ever have thought of this but you can even use leftover paint to produce very nice abstract paintings.
Be sure to also read the rest of the site. Anne-Laure Djaballah does very nice abstract paintings.

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