Posts tagged as:

love

Paul de Leeuw – Ik heb je lief

by Henk ter Heide on Friday July 2, 2010

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Although I’m not in love at this moment. I absolutely love this song :)

Paul de Leeuw – Ik heb je lief

‘k weet niet of je zit te wachten
op een vriendelijk woord van mij
als ik jou oproep in gedachte
maakt me dat veel beetjes blij
voel het als ik jouw zie zitten
als ik je alleen maar ruik
‘t zit in honderduizend vlinders
die zoet zweven in mijn buik

‘k heb je lief mijn hele leven
‘t is veel meer dan houden van
‘t is alsof je in mijn bloed zit
ik zonder jou niet leven kan
jouw mooie ogen doen me smelten
zet me zo in vuur en vlam
ik voel het enkel bij jouw aanblik
ik krijg het ook van Rotterdam

‘k heb je lief, ‘k heb je lief, ‘k heb je lief
wat moet ik zonder jou
‘t zijn vier hele kleine woordjes
en al maakt je dat een beetje bang
‘k heb je lief, vier jaargetijden lang

‘k voel het heel vaak als jij opstaat
of na een zomerse bui
ik word al week bij de gedachte
jij die loopt in mijn lievelings trui
‘t is mijn hand die jij plots vastpakt
als ik dollig naast jou fiets
‘t komt ook, dat is nou het gekke
zelfs door helemaal niets

‘k heb je lief, ‘k heb je lief, ‘k heb je lief
wat moet ik zonder jou
‘t zijn vier hele kleine woordjes
en al maakt je dat een beetje bang
ik heb je lief, veertien bloemencorso’s lang

ik proef het tijdens ons zoenen
of als je plotseling lacht
ik zie het in vallende sterren
na heftig vrijen in de nacht
‘t is die tinteling dat briesje
maakt jou helemaal voor mij
ik denk als ik jou zo zie lopen
“God” er gaat een engeltje voorbij

‘k heb je lief, ik heb je lief, ik heb je lief
wat moet ik zonder jouw
‘t zijn vier hele kleine woordjes
en al maakt je dat een beetje bang
ik heb je lief, duizend en een nachten lang

een van mijn mooiste dromen
is oud te worden met z’n twee
dat die maar uit mag komen
ik heb je lief ook na de AOW

ik heb je lief,
wat moet ik zonder jou
‘t zijn vier hele kleine woordjes
en al maakt je dat een beetje bang
ik heb je lief, honderdvier kerstbomen lang
ik heb je lief, ‘k heb je lief
mijn hele leven lang.

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The piano

by Henk ter Heide on Thursday July 1, 2010

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Musical animation in which an old man remembers the people in his life.

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Love and fear

by Henk ter Heide on Sunday April 4, 2010

My fountain pen is gliding over the paper. Up, down, up, down.
I love to watch while the black is slowly consuming the white paper. I could do this all day.
But I won’t.
If I just paint the whole paper black there isn’t much to look at.
But I would want to…

Then comes the hard part.
Although the colors I get with this color hatching technique are beautiful. They are also completely unpredictable.
I don’t like things that are unpredictable.

The shorter the lines, the more colors I use, the more unpredictable and beautiful the result.
Or I can begin with a layer of some color and then place a few lines on top. That’s far more predictable but not as beautiful.

I’m mostly fearful of my next few drawings.
I want to try to make kind of a landscape using my new color technique. But I’m not sure how.
If I can’t predict the colors how can I get them to interact?

Get a print of this drawing

Love and fear
Love and fear

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To all art teachers out there

by Henk ter Heide on Tuesday April 28, 2009

Yesterday I got a comment from some art teacher telling me that I had done something wrong in my Up side down drawing. (I didn’t actually understand what he was going on about).
He told me that he had been an art teacher for 10 years and that if I had been one of his students he would have made me do the exercise again.
This was the second time. Last year I also had some art teacher writing pages of comment about boring exercises she thought I should do.

So to every art teacher reading this. Let me teach you a little lesson about teaching art:

You have it within your power to instill a love of art in your pupils.
If you do, the rest of your teachings really don’t matter. Your pupils will be engaged in art for the rest of their lives. If you might have forgotten something they will pick it up at some point.

On the other hand.

You also have it within your power to instill a hatred of art in your pupils.
If you do, it still doesn’t matter what you further teach them because they will try their hardest to forget it as soon as possible…

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How to become an expert at any skill

by Henk ter Heide on Wednesday December 17, 2008

Follow three rules and become an expert on any skill you love.

I had a discussion with my counselor about the whole talent thing. How I had decided to spent much more time on drawing (and less time on other things) because I think that will give me a change to become an expert.
She didn’t agree. She thinks that talent does matter. She played a musical instrument in her teens. Although she practiced for years she never got very good.

Thinking about that I realized that she had a point.
My mother bought her piano in 1968 when we moved to Waddinxveen. When she died in 1989 she had been practicing for more then 20 years, strictly one hour a day.
But she never got any better then mediocre.

So how is this possible?
Why is it that some people practice for 10,000 hours and become world class artists and others practice for well over 10,000 hours and never get to be more the mediocre.
Is it talent?
I hope not.
Because if it’s talent I’m screwed. The last one and a half year have shown that I have no drawing talent what so ever.

A few years ago I bought a harmonica. It seemed like a fun instrument to play. It also seemed a fairly easy instrument to master even for someone with no musical talent.
But it turned out to be a very difficult instrument.
I had bought a few books on musical theory but none of them made any sense to me. And how ever hard I tried I never was able to blow a single note.
After a few months I gave up and threw everything out.

A few months ago my interest was rekindled by one of the videos Youtube recommended. I researched harmonicas on the Net and found a wealth of information on the kind of instrument you should start with and a lot of free music and some instructional videos on Youtube.
A nice read but I did nothing with it and wouldn’t have done anything if it wasn’t for the fact that I broke my hip and can’t leave my house for the next three months.

Getting rather bored I ordered a harmonica via the Internet and started practicing.
This time I found that the level of skill you can reach not only depends on your talent. It’s also depended on the kind of information you can get.
Thanks to the instructional videos I found I figured out how to blow a single note. And although I can only blow single notes for about 10 minutes it’s clear that I’ll get better with more practice.

But that’s the harmonica. An instrument that is played by hardly anyone in the Netherlands. And since hardly anyone plays it you can’t get much information on the instrument. But there are loads of people who draw. There are loads of good books on the subject and I have been researching the web since I started.
So does my lack of progress with drawing mean that I don’t have what it takes or is there something else I should take into consideration.
If I’d ask this question a week ago I would have answered that I suffer from a lack of talent. But this week I started with something I’ve never done before. I started with copying the work of other artists.
In doing so I figured something out.

Until now I’ve always tried to draw the pictures in my mind. Since that is the purpose of of this blog I never thought anything of it. Actually the only reason why I started with copying was because I ran out of subjects to draw but still wanted to draw something. Anything.
But in doing so I found that I had to push my self to get better results.
When I draw a picture from memory I’m the only one who know how the original picture looks. And since to me photographs, painting and drawing always look different from each other I’m easily satisfied.
But now everybody is going to get to see both the original painting and my copy of it.
I can no longer put up with the fact that there are hues missing in my drawing box. I can’t get away with adapting the drawing to my drawing box. I have to mix new colors to adapt my drawing box to the picture.

So in doing this drawing I’m learning more then I’ve learned in the last one and a half year.

I think that’s also the reason why my mother never got any better. Yes she did practice for 20,000 hours, but most of that time was spent repeating tunes she already knew by heart. She hardly ever tried new tunes.
By contrast. I’m finding that when I stretch myself and try something new I also get to practice the old skills.

If you want to be an expert at a skill you’ll need three things.

  • You need the right kind of information.
    If you don’t understand what you’re supposed to do, find an other book, website or teacher.
  • You need to practice 7 to 14 hours a week. Which means that you really need to love this. Otherwise you can get good but you’ll never be an expert.
  • You need to stretch yourself. Spent the majority of your time practicing new things.
    It is important to practice the skills you already know. But to become an expert you’ll have to try and learn everything there is.

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Color. From abstract to background

by Henk ter Heide on Thursday August 14, 2008

Abstract paintings by Caleb Miles and Wendi Love and painting nature by Dalya Bersano.

Caleb Miles’ modern art
Caleb Miles takes his interest in color to a whole new level. In his abstract paintings he doesn’t even try to draw a shape. And rightly so. His collection of modern art contains some very nice paintings.

Wendi Love digital abstracts
Wendi Love also plays with color. But instead of using a paintbrush she creates her abstracts with light. With a lot of mosaic like shapes. But still the color is more important then the shape.

IIIII
IIIII by Wendi Love

Dalya Bersano oil paintings
In Dalya Bersano’s oil paintings color also plays a very important role. But contrary to the last two artist Dalya’s paintings are far from abstract. Most of her paintings are pieces of nature. Most of the color is in the background of paintings.
But the background is so big that it draws attention to it self.

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