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Drawing

connecting tissue

by Henk ter Heide on Sunday April 18, 2010

I started this color hatching sketch. It was meant as a kind of top view of a road through the forest. But as I was drawing it soon became clear that something was very wrong with this drawing.
I just couldn’t figure out why I was doing this. Drawing something of which I know it’s wrong.
But cycling to the fitness center to do my weekly workout it dawned on me.

When I tell people that I have a photographic memory, they often think that means that I never forget any thing. But that’s not the case. Never forgetting any thing is called a Eidetic memory. I do forget things.
I call it a photographic memory because the pictures in my mind have a photographic quality to them.

But as I am finding out. They are not complete.
It’s like I have these photographic plates in my mind that have to be exposed to an object to get a clear memory. But if I don’t look long enough to some detail of that object I don’t have a picture of it in my mind.

It’s like studying for an exam.
While you’re reading the book you feel like you know it by heart.
But on your exam you find that you have forgotten a few details. Usually the details aren’t very important. But sometimes they are the connecting tissue you need to make your argument.

In the same way I have a lot of pictures of tree trunks in my mind. Which isn’t strange. While cycling I get to see a lot of tree trunks.
I have several pictures of leaves and flowers in my mind. But I have hardly any pictures the point of the tree where the branches grow. That’s not the most interesting part of a tree. So I assume that I don’t look at it very much.

You know the feeling of needing a word that you can’t quit remember but you have it on the tip of your tongue? People suggest words but although you still can’t remember the word you need, you know that the suggestion is wrong.
I have something like that while doing a sketch like this.
I know it’s wrong, but I don’t know what I should change to correct it.

color hatching sketch
color hatching sketch

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Speed

by Henk ter Heide on Saturday April 17, 2010

Sometimes I get reminded of all the stupid things I was taught when I was a child. Things like it’s better to quite an activity then not to finish the project you’re working on right now.

The purpose of this sketch was to find out if it’s possible to get these nice color mixes with color hatching while at the same time retaining some control over the color.
As it turns out, that is possible.

Because it’s easier to color between the lines I had helped myself by drawing some random lines.
But by doing so it felt as though this was supposed to be a real drawing.
So after I had colored a few panels and felt that I had nothing more to learn from this sketch and I wanted to put it on this site and move on.

But then I heard the very angry voice of my mother in my head. “You never finish anything!”. “You should finish what you start!”. “You are always procrastinating”. And drawing lost all of it’s fun.
That was how it used to be some 40 years ago.
At one point I took up dancing. Which was fun apart from the fact that I was the only guy present. (Which is fun when you’re 16 but not when you’re 13 and all the girls are better dancers then you are.)
You wouldn’t believe how mad my mother became when I announced that was going to quit.

After Mr. “nobody’s” comment I started thinking again and remembered that this sketch only has a limited goal.

Thinking about this some more I did realize one thing though. What is missing from my current way of working is speed. Since my best drawings where kind of accidental there is not much purpose to my thinking about what I’m doing on a drawing by drawing base.

I do realize that figurative drawings would sell much better then abstract. Drawing abstract is a way of experimenting with techniques without having the straight jacked of having to draw objects that are prospectively correct. (If nothing else I’ll always be a perfectionist).
I do want to go back to drawing more recognizable shapes. But only if I can find a way to draw the complicated world in which I’m living.

color hatching sketch
color hatching sketch

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Colored stripes

by Henk ter Heide on Friday April 9, 2010

Very soon after starting this drawing I realized that I was doing something else then I had planned. But even so it seemed like fun to finish the drawing the way I started to find out what would happen.

This afternoon I looked back at all my drawing because I’m making a page with my best drawings. It turns out that the drawings that I like best are the result of mistakes I made.
Mistakes that led me to ideas.

And indeed while I was doing this drawing I thought of something I’m going to do tomorrow.

Colored lines
Colored lines

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Love and fear

by Henk ter Heide on Sunday April 4, 2010

My fountain pen is gliding over the paper. Up, down, up, down.
I love to watch while the black is slowly consuming the white paper. I could do this all day.
But I won’t.
If I just paint the whole paper black there isn’t much to look at.
But I would want to…

Then comes the hard part.
Although the colors I get with this color hatching technique are beautiful. They are also completely unpredictable.
I don’t like things that are unpredictable.

The shorter the lines, the more colors I use, the more unpredictable and beautiful the result.
Or I can begin with a layer of some color and then place a few lines on top. That’s far more predictable but not as beautiful.

I’m mostly fearful of my next few drawings.
I want to try to make kind of a landscape using my new color technique. But I’m not sure how.
If I can’t predict the colors how can I get them to interact?

Get a print of this drawing

Love and fear
Love and fear

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Color islands

by Henk ter Heide on Tuesday March 23, 2010

For the last few years I’ve been playing a kind of game with my self. I look at an object; a tree, car or park bench. And while I’m looking at it I try to imagine it.
Doing that feels as a kind of memory practice.
That is, I’m not sure whether I’m improving my memory. But it feels like that.

The problem until recently was that it also invoked a very strong feeling. So strong that I never knew whether it was a good feeling or not.
But a few weeks ago I noticed that the feeling had changed. It’s still a very strong feeling and I still don’t recognize it. But I’m now sure that’s a good feeling.

So the last few weeks I’ve been looking a lot. At everything around me. At everything I would want to draw.
And I finally realized something that’s probably obvious for people who are not autistic. But I never saw it.
The background of an object is very important.
A tree is nothing without the park or forest it belongs to.
The reflection of an early morning sun in a black wet road is nothing without the trees and the cars that surround it.

So for the last few weeks I’ve been thinking about how to draw background. Specifically about a color pencil drawing technique I read about years ago where you hash colors together.
In this study I’m finding out how you can mix colors.
I’m finding that the nice part of this technique that you can’t actually predict what kind of colors you’ll get after mixing a few colors.

I’m must try this on a somewhat larger scale.

Color islands
Color islands

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Playing with pebbles

by Henk ter Heide on Saturday March 20, 2010

I wanted to play a little with the pebble shape. It seemed like a nice idea to suggest the shapes of pebbles touching each other by only coloring parts of the shapes.
But for some reason it didn’t work.
Maybe I used to many pebbles or maybe the hole idea is impossible.

For now I compromised and draw something a bit like what I had in mind.
But I will be coming back to this idea.

Playing with pebbles study 1
Playing with pebbles study 1

Playing with pebbles study 2
Playing with pebbles study 2

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The end of a path

by Henk ter Heide on Sunday January 3, 2010

It’s a good thing that keeping a new years resolution is a process and not an act. Otherwise I would have failed it already. Yesterday I did draw for more then an hour but I didn’t come around to writing this article :(
Ah well. Here it goes.

As my regular readers will have noticed, I haven’t done anything for some three months.
I had found that I couldn’t make the pictures I wanted with color pencil and had decided that I would start painting.
I had bought oil paints, an easel, a pallet and the lights I needed to photograph my paintings. I had even painted a few test panels.
And then everything halted.
It just stop.
I didn’t feel like painting any more.

I assumed that I would start painting again at some point. So I just waited.

The thing is that I have had this happening before. Often even.
I have had a lot of times that I am in the middle of some activity and for some reason just don’t feel like finishing it.
It used to annoy the hell out of my mother. She thought it meant that I was too lazy to finish my chores. (Although I never quite understood why she thought that joining a tennis club would be considered a chore.)

Over the years I learned that halting some activity for no apparent reason and then picking it up again a few weeks or months later, or figuring out what is wrong with it, is just part of being me.
So I waited.

The only thing that had me slightly worried was this blog.
This blog is linked to drawing and I felt that couldn’t keep all of you just hanging there. Not knowing what had happened.
I hate it when I’ve followed a blog for a few months or even years and it just stops. And I never find out what happened to the author.
Did he move on to other activities? Did he die?

A few weeks ago I started thinking that I should write some kind of brief explanation about why I wasn’t writing anymore. But a funny thing happened.
While I was thinking about how I should explain that this happens to me some times. That I didn’t know why I had stopped and didn’t know whether I would ever continue. I figured out why I had stopped.

Even better.
After I had realized why I had stopped, new ideas started flowing. And before I knew it I was drawing again.

I thought it would be best to first do a few drawing, to see if it would stick, and then tell you about my developments. But the drawing I’m doing right now is taking far too much time to do it that way. Although I drawn for more then an hour a day for the last week. I’m still only at about two thirds.

But still I feel curtain that this direction is so rewarding that I won’t stop after just a few drawings. I don’t feel that I have to test myself by finishing yet an other drawing before talking about it.

Why did I stop painting in September?
When I started thinking about it, it turned out to be fairly obvious.
I had lost my direction. I had lost my purpose.

When I started drawing early 2007 and started with this blog I had a very clear purpose.
I wasn’t trying to produce beautiful drawings. I was trying to find a way to express myself via drawings.

Being autistic and having a visual thinking process I find that I have to work very hard at expressing myself.
Before I can tell anybody anything about the people I meet and the places I go. I have to translate from the pictures and movies in my mind to words I can speak.
Although I’ve become quite good at it over the years, it’s still a lot of work.
Which means that I can write an article like this one, which is perfectly understandable.

But sitting on a stool in a bar I can either relax or talk with people. And since I go there to relax I never talk very much.
Lately a few of the costumers of my favorite bar have figured out that I’m quite knowledgeable on some subjects and they question me about them. And when they do, I answer them.
But it always feels like an interview. Never like a conversation.
To me conversation are just to much like work.

Three years ago I thought that since I have this visual thinking process and a photographic memory, it should be very easy to find a way to draw those people and places that I wanted to show the world.

But it wasn’t.
Using color pencil I quickly found that the pictures I drew never looked like the pictures in my mind.
For two reasons.
One of which turned out to be very obvious, when I finally thought about it. The pictures in my mind are of a photographic quality. Pictures I draw never are. Which, I suppose, is the charm of drawings. But it wasn’t what I had in mind.
The other problem is that I have a field of vision of 180 degrees. Just by the size of the paper that I’m using, a drawing is only about 30 degrees. Which is probably why a guy like Stephen Wiltshire draws such detail on such big canvases. It’s the only way to get the world in your drawing.

When I moved to painting I just assumed that I would solve both problems.
Bigger canvas would mean drawing a bigger part of the world. And since you can layer with oil paint you can indeed get more photo realistic pictures.

The one thing I hadn’t counted on was drying time.
With oil paint you can layer different colors on top of each other. But after each layer you have to wait until it’s dry. Otherwise the different layers will mix and everything will turn a foul color of brown.
Drying time can be as much as two or three days.

So imagine what that means.
No doubt you have seen those beautiful portrait paintings where the artist has put a little dot of white paint in the pupil of the each eye to suggest life.
Those two tiny dots of white paint take three days to paint.
That is a few seconds for every dot. And then three days of drying time before varnish can be applied.
(And after that the painting has to dry out for several months before it can be used.)

There is no way that I can work that way.
Most painters work either from postcards or from sketches they have made.
I didn’t want to do that. I wanted to draw/paint the pictures and movies in my mind.
I started out with the pictures because it seemed easier to learn. But to really show the world what I’m all about I have to draw/paint the movies.
But of course they change over time.
There is no way for me to keep an image in my mind for the several months it would take to finish the painting.

The first painting I wanted to do was a simple one of an apple tree in bloom in an English landscape.
I’ve been wanting to do a picture like that for as long as I’ve been drawing. I could never find a way to do it with color pencils.
But even such a simple idea keeps changing:
Will I put the tree in the foreground or the background. On a hill? Against a blue sky or a stone wall?

And that are only the questions I ask myself.
The color arrangement also changes. But that isn’t something I consciously think about. It’s just the way the world around me changes.
When the sun shines the pictures in my mind have all kinds of bright colors. When it’s an dreary day the pictures in my mind change to low hanging fog. And then at night I “see” a lot of greys and blues.

There is no way I can show my world using paint.
But even if there was. It’s far the much work. I was looking for an easier way to show my world then by translating the pictures in my mind.
This is far to difficult.

So without realizing what was wrong, I had reached the end of this path.
 
 

This is turning into a very long article.
Tomorrow I will tell you about this new direction I have found

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New years resolutions

by Henk ter Heide on Friday January 1, 2010

First let me give all the readers of this blog the best wishes for 2010.

I came about an article about keeping new year resolutions.
It confirmed something I have always suspected. Namely that people hardly ever hold on to there new years resolutions. So I always felt that it was pointless to set them.
But then the article continuous by telling that the truth is that people who set new years resolutions actually have a 10 times better chance of effecting a positive change then people who don’t.

The trick is not to have unrealistic resolutions (loose 20 pounds by March) and not to think that just setting a resolution is enough to make it happen.
It’s actually the process of thinking about how you can effect the change that helps you accomplishing the change.

So here it goes:
My new years resolution is to daily draw and write one article in my blog.

The drawing part doesn’t seem to be that hard.
Last week I’ve found a new direction (about which I’ll write tomorrow) and as result drawing has become a lot easier and a lot more fun.
The writing part has a little more worried. Sort of.

I’ve always felt that you need a lot of inspiration if you want to write daily. So for the last few years I always waited until I had an idea for an article and then wrote it.
I didn’t write very much because I didn’t have very many ideas.

But if there is one thing that I’ve learned over the last few years is that it actually works the other way round.
Necessity is not only the mother of invention. It´s also the mother of inspiration.
Knowing that you have to produce some sort of article about anything does far more for your inspiration, then just sitting and waiting.

The other point of drawing and writing daily is that I must set time aside for both.
Which is actually the biggest hurdle because I´ve never done that.
I get home from work. Turn on my computer. Read a few articles. Find some music and art sites to post on my twitter account. And then it’s time to go to bed.
Doing it that way I never find time to draw and write.

So clearly I have to do it the other way round.
Turn my computer on. Turn my mp3 player on and draw for a hour or so. (Drawing is much more fun with a little music in the background). Write a little in my blog.
And then, if there’s time, do all those other things.

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Lines and leaf

by Henk ter Heide on Sunday June 21, 2009

This was a very hard drawing to design.
Going with the theory of important lines within a drawing to catch the attention of the audience. This was meant as a kind of minimalistic design. In a sense to see how empty a drawing can be and still be interesting.

The idea was for one leaf on the sidewalk. But to make it more interesting I wanted to change the size of the tiles. I spend a few days thinking about the best size for the tiles (and being busy with other things). But when I finally had time to make the drawing I couldn’t.
It felt as though something was wrong but I could put my finger on it.

After a boring day of playing computer games I realized that I had made a mistake in the design and had no problem drawing it.


Lines and leaf

Probably you’ll have seen what the problem is.
These kind of tiles they use on the sidewalk have a fixed size of about 25 * 25 centimeters. And everybody knows that.

As an artist I am allowed to change reality in any way I feel will make my drawing more interesting.
But the trick is not to be caught. Since everybody knows the size of sidewalk tiles the leaf will seem very large.

I have thought of an other design using both a sidewalk and leafs. But that’s for the next drawing.

Commenting this and my last drawing
Although it’s not really a problem with this drawing. Again I had a problem drawing the right side and the left side of the leaf symmetrical.
In this case it’s not really a problem because I shaded and it seems as though part of the leaf is lifted from the ground.

I realized that the problem is that I’m not very good in drawing curves that run from right to left. So I’m tempted to start with the curve running from left to right. Which usually is the right curve. (I turned the paper to draw the leaf). Then when I try to draw the left curve my hand covers the right curve and I can’t see what I’m doing.

Might be a good idea to start with the left curve and see how it goes.

The goal in doing EyeSee was to test the theory that putting interesting features on specific lines would trap the eye of the audience in a circular motion.
But although I did like the drawing I didn’t feel that my eyes were trapped.

It wasn’t until after I had posted the drawing that I realized that the problem was with the background.
As in. There is no background.

The point is not to draw attention to features on specific lines. The point is to help the audience find interesting features in the drawing by guiding there eyes.
For instance a row of trees in a landscape could guide the eye to a few interesting houses. Or interestingly colored clouds could guide the eye to a mountain range.

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Sliding bars

by Henk ter Heide on Sunday April 26, 2009


Sliding bars

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