Posts tagged as:

abstract

My first oil painting

by Henk ter Heide on Monday September 21, 2009

A few weeks ago I wrote that I had reached the end of what I could creatively do with color pencils and that I had decided I would try my hand at painting.
I was planning to try to paint with acrylic paint but the guy in the art surplies shop advised me to try oil paint.
According to him with oil paint you have more time to think about your painting while you’re painting it and you have time to correct any mistakes. Both are because the drying time is much longer then with acrylic.

Oddly enough, because of the long drying time, it also has a very strange down side. You have to paint several paintings at ones.
That is you can put several layers of paint on top of each other. With which you can produce very interesting pictures. But before you can put the next layer down you have to wait until the last is dry. Which can take a few days.
You don’t want to spent iternity waiting until you can paint the next layer. So in stead you paint several paintings at one.

I’ve just started my third painting while I still waiting to finish my second painting.

The other problem, of course, is that I can’t put a painting in my scanner. From now on I have to photograph my paintings.
So I’ve bought a little tripod and tried my own digital camera to take the picture. But obvious both need replacing.

The painting is kind of an accident. I wanted to paint the battle between yellows, reds and browns. Which is what I did.
Later when I started reading about oil painting I found that the first oil painting people make usually contains a lot of brown because people mix to many colors.
So I feel kind of saved by the bell :)

Color fight
Color fight

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The flow of time

by Henk ter Heide on Monday August 31, 2009

It used to be that clocks where those big, almost statue like, objects standing in the middle of the room. Heavy weight pulling chains, moving cogs, moving time.
If you stared at them long enough you could see time flow.

Then came the electrical clock,
his minute hand jumping from minute to minute.
Time moving faster and faster.

Now we have digital clocks and time has stopped flowing.
It has become some kind of calculation.

I started this project at 12 noon and finished it at 14.33. So it took me 233 minutes….
233 minutes?
Flow of time
Flow of time

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Finding the limit of my thoughts

by Henk ter Heide on Sunday July 5, 2009

Thinking about my thinking process.

  1. Processing abstract information
  2. Finding the limit of my thoughts

So I had figured out that I talk to myself to solve abstract problems. I figured that since the behavior has a purpose there should be a natural border. Some place to stop talking.

BTW When I say I’m talking to myself that’s not completely true. In my fantasy I’m having a discussion with some one who is an interested party in the problem I’m trying to solve.
I tell him the story of the problem plus every solution I’ve found up till now.
Sometimes I get stuck and I will repeat the same few sentences over and over for hours. Sometimes even for days.
You can imagine how annoying that can get.

It took me a while but I finally found out that there is actually a very obvious answer to this question.
For me the whole world is connected. Every problem is connected to every other problem – I’m told that this has either something to do with being autistic or with having a visual thought process – So when I start analysing some problem I can’t stop because the problem goes on and on.

But I can greatly reduce the number of problems I have to solve if I simply apply the rule that every problem I solve has to improve my life.
So Dutch unemployment crisis, as interesting it might be, is not something I should be thinking about. Same holds true for the famine in Africa.
But Promen’s (my employer) embezzlement of reimbursement of travelling expenses is a problem I should try to solve. Not only because it is costing me money. But there’s the simple matter of people doing what they are supposed to do. I should follow the rules and so should upper management. (What can I say. I’m autistic. People acting the way there supposed to, is more important to me then money :) )
(More about this when I’ve solved it.)

So I’ve been living by this rule for a few days and it helps.
A bit.
After a few days I found that even when I limited myself to problems that actually influence my live. I still spend a lot of time talking to myself.

Turns out that I’m somewhat impatience.
When I run into a problem I tend to think about it until I’ve found the first 10 solutions. Then I implement the first solution.
But instead of waiting to find out if the solution works I continue thinking about new solutions. Which is a waste of time because the first one usually works.

But some times it doesn’t. Some problems are a little more complicated. Like the problems with my embezzling employer. And that is when I run into the real problem.
Turns out the there is no logic in the way I solve problems. Possible solutions come at random intervals.
There’s no way of knowing if I’ve found every solution or whether there are still a few more.
And as I said sometimes I get stuck and repeat the same few sentences over and over again.
Sometimes I follow a train of though to it’s bitter end. Only to find that it wouldn’t work.

And then I stop.

And I have no idea whether I stop because I’ve reached the end of a school of thought. Or the end of a series of solutions.
Or just stop because I don’t feel like thinking abstract anymore.

The thing is that if I stop because I’ve reached the end of the school of thought or the end of the series of solutions. It would imply that I do know how many solutions I might expect.
If that’s the case it stands to reason that me getting stuck has more to do with my own annoyance then with my thinking process.

To Be Continued…

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Processing abstract information

by Henk ter Heide on Wednesday June 17, 2009

Thinking about my thinking process.

  1. Processing abstract information
  2. Finding the limit of my thoughts

In my last post I wrote that I expected that post would be a little further apart in future. This one is taking even more time then I had expected.

On the up side I have figured out that my very annoying habit of talking to myself is actually a symptom of my autism.
Having a visual thinking process means that I can’t think about subjects I can’t visualize. Things like “feelings”, the word “goals”, “business deals” are to abstract to visualize.
I’m not able to think about them except by talking about them.

Accepting that this is a symptom of my autism means a few things.

  1. It means that I have to accept that I will never get rid of this habit.
  2. It means that I’ll have to accept that I can’t draw as much as I would want to. Because I can’t think visual at the same time that I’m processing abstract information.
  3. But it also means that I need a better understanding of this process. There must be a natural boundary. A point where I’ve solved the problem I’m working on and should go back to thinking visually. That’s what I’m working on right now.

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EyeSee and thinking about my process

by Henk ter Heide on Tuesday June 2, 2009

A few days ago I wrote that I had to get some things out of my system before I could really concentrate on drawing. I even started with an article about unemployment.
But now I’m feeling that isn’t it. Maybe it’s just that I don’t yet really know how my process works.

This morning I realized what the problem was with the drawing I was planning. It was not, as I was thinking, that the different parts of the drawing could present problems. It was the drawing it self.
I had printed a photo of some beautiful actress with blond hair that I was planning to copy.
The problem is that I don’t copy.

It’s like I’m making a kind of choice. Only it isn’t a choice.
The choice would be that I rather make a bad original drawing then a good copy. But that is not it.
It’s more like I can’t force myself to copy anything.
It doesn’t matter what good reasons there might be for making a copy (getting practice, feeling safe). I just can’t do it.

Maybe I should just accept that while I’m switching to this, relatively, new interest I’ll draw when I have something to draw. The rest of the time I will fill with thinking about it and searching for beautiful art to fill my web pages.

Anyway. About todays drawing.
I bought Jack Hamm’s book about drawing land and seascapes and found that it’s almost the opposite of his book on portrait and figure drawing.
Where the book on portraits starts with almost no theory and a lot of pictures of body parts to copy. The book on landscapes starts with 20 pages of theory on composition.
And what a theory. I’ve been drawing and reading about drawing and painting on and off for the last 30 years. But Hamm teaches me more about composition in the first 8 pages then I had learned up till now.

Since business is slow at my job at the moment I took the book to work and forgot to take it back home for the Whit weekend. So Saturday when I had a little time I couldn’t read the book but I could think about what I have read.

The theory is that you should not put your subject in the middle of your frame. Well you could if you wanted to. But you’d get an interesting picture if you don’t.

At first I started thinking about holiday snapshots.
Let’s say you want to photograph a family of five in front of a large old oak.
The most obvious choice would be to line the family up with the oak behind the person in the middle. And shoot them head to toe with the tree trunk showing above the head of the person in the middle.

But you’d get a much more interesting picture if you have the tree behind the second person in the line.
Shoot the people head to middle with a little more then a quarter of the frame showing either the sky or low hanging branches.

Or so it is written on page 5 of the book. Page 6 and 7 talks about catching the eye of the audience in a circler motion by putting interesting feature of the drawing on specific lines.

This drawing is an attempt at that.


EyeSee

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Sliding bars

by Henk ter Heide on Sunday April 26, 2009


Sliding bars

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First step

by Henk ter Heide on Wednesday March 18, 2009

This isn’t the most beautiful drawing I’ve ever done. Actually this might be the most ugly drawing.
It’s kind of an experiment.
After concluding that I’m more interested in color then in shape this seemed a logical first step to take. No shapes, no colors. Just blobs of black on a white paper.

This is not what I had in mind. But that’s the point to draw something I don’t have in my mind. Something that’s also new to me.

First step
First step

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Abstracting three trees

by Henk ter Heide on Thursday March 12, 2009

It’s strange how you can never see

something that’s staring you in your face. For the past two years I’ve been trying to draw photo realistic but I could never get it. But for the longest time it escaped me why that was. Only a few weeks ago it finally dawned on me.

I don’t have any pictures on my walls because they bore me. That seems to be one of the drawbacks of having a photographic memory. Within a few days a picture on the wall starts to feel like the rerun of the rerun of a show I didn’t want to see to begin with.
So why did I ever think that I could be interested in spending weeks creating an image of something I’ve seen in real life?

This drawing derived

from a picture I was planning to copy. This drawing was more fun to do then most of the drawing I’ve done so far. But I still didn’t feel satisfied.
While doing this drawing I realized that I’m actual not interested in shapes. I’m far more interested in playing with colors.

So for my next drawing I will be doing something that’s the opposite from this one.


Abstracting three trees

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Sorting through some ideas

by Henk ter Heide on Friday December 12, 2008

Sorting through some ideas
Sorting through some ideas by Henk ter Heide

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Color. From abstract to background

by Henk ter Heide on Thursday August 14, 2008

Abstract paintings by Caleb Miles and Wendi Love and painting nature by Dalya Bersano.

Caleb Miles’ modern art
Caleb Miles takes his interest in color to a whole new level. In his abstract paintings he doesn’t even try to draw a shape. And rightly so. His collection of modern art contains some very nice paintings.

Wendi Love digital abstracts
Wendi Love also plays with color. But instead of using a paintbrush she creates her abstracts with light. With a lot of mosaic like shapes. But still the color is more important then the shape.

IIIII
IIIII by Wendi Love

Dalya Bersano oil paintings
In Dalya Bersano’s oil paintings color also plays a very important role. But contrary to the last two artist Dalya’s paintings are far from abstract. Most of her paintings are pieces of nature. Most of the color is in the background of paintings.
But the background is so big that it draws attention to it self.

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